top of page

Sarah Van Hoe 

Sarah Van Hoe was born in 1983 in Roeselare, Belgium. She lives and works between Belgium and Italy. After the Master in Textile and Fashion Design at the Academy of Visual Arts and Sciences Sint-Lucas in Ghent, Belgium she continues her studies at the Academy of Fine Arts of Brera in Milan, where she graduated in painting and methodology of artistic and theatrical design.

 

Sarah creates paintings on canvas and wallpaintings and window- and set design trends for companies in the field of fashion, photography and design.

 

EXHIBITIONS

 

HANG IN, spazio TICK, Napoli, Italy (January 2105)

I’MPERFECT, PAN/Palazzo delle Arti Napoli, Napoli, Italy (2014)

Modern P Concepts Gallery, Gent, Belgium (2013-14)

ART GENT, Modern P Concepts Gallery (2013)

AAF (Affordable Art Fair) Brussels, Modern P Concepts Gallery (2013)

175 years SASK, Académie des Beaux Arts Roulers, Belgium (1012)

Christine De Cuyper Gallery, Brussels, Belgium (2012)

ROCK II, Palazzo delle Arti Napoli/ PAN, Napoli, Italy (2012)

City Gallery Alfons Blomme, Roeselare, Belgium (2011)

CANVASCOLLECTIE/ COLLECTION RTBF, Musée des Beaux Arts Bruxelles, Belgium (2010)

maQUINZE Gallery, Oostende, Belgium (2010)

StragapedePerini Art Gallery, Milano, Italy (2007)

Gabriele Cappelletti Gallery, Milano, Italy (2006)

Oh Art!, Kamer XII, Ghent, Belgium (2005)

 

 ARTISTIC STATEMENT

 

“In my latest paintings, I am exploring man’s relation with his environment by combining contrasting images of nature scenes and geometrical structures around me, with my personal remembered images. The Imaginary Nature Scenes series are arrangements of the natural and artificial physical features of certain places I’ve lived in, filtered by experience and memory. I have always loved nature and have been fascinated by everything that the earth encompasses: flowers, forests, oceans, the rain, the sun. It all matters to me. I am also a huge fan of geometry. And still lifes.

I think painting has one feature that more contemporary media lack: a direct connection with the artist’s inner self through the hands, which are in fact the real brushes. Painting implies awareness of other artistic contexts; of an anthropological and natural context. It is a kaleidoscope of fragments, a hybrid language that works on various levels. It all lays in the desire to be one with the present through artistic expression, by painting the connecting flow of elements that connects modernity and history.”

 

bottom of page